Reading time: 5 minutes

For Valentine’s Day, some couples only roll their eyes at each other in mutual cynicism. The capitalisation of love in the modern world can certainly seem banal.

But Valentine’s Day gifts are hardly a contemporary invention. People have been celebrating the day and gifting love tokens for hundreds of years.

By Clare Davidson, Australian Catholic University

We should first turn to Geoffrey Chaucer, the 14th-century poet, civil servant and keen European traveller. Chaucer’s poem from the 1380s, The Parliament of Fowls, is held to be the first reference to February 14 as a day about love.

This day was already a feast day of several mysterious early Roman martyred Saint Valentines, but Chaucer described it as a day for people to choose their lovers. He knew that was easier said than done.

The narrator of the poem is unsuccessful in love, despairing that life is short compared with how long it takes to learn to love well. He falls asleep and dreams of a garden in which all the different birds of the world have gathered.

Nature explains to the assembled flocks that, like every year on St Valentine’s Day, they have come to pick their partners in accordance with her rules. But this process causes confusion and debate: the birds can’t agree what it means to follow her rules because they all value different things in their partners.

A 15th century version of Chaucer’s The Parliament of Fowls. The Trustees of the British Museum

Like today, in Chaucer’s time gift-giving could be highly ritualised and symbolise intention and commitment. In Old and Middle English, a “wed” was any sort of token pledged to guarantee a promise. It was not until the 13th century that a “wedding” came to mean a nuptial ceremony.

The same period saw marriage transform into a Christianised and unbreakable commitment (a sacrament of the Church). New conventions of love developed in songs, stories and other types of art.

These conventions influenced broader cultural ideas of emotion: love letters were written, grand acts of service were celebrated, and tokens of love were given.

Author Pierre Sala gave a collection of love poems, the ‘Petit Livre d’Amour’ to his lover Marguerite Builloud, c. 1500. The Trustees of the British Museum

Rings, brooches, girdles (belts), gloves, gauntlets (sleeves), kerchiefs or other personalised textiles, combs, mirrors, purses, boxes, vessels and pictures – and even fish – are just some examples of romantic gifts recorded from the late middle ages.

A gold ring
Posy rings, such as this one from 1500-1530, were often given as love gifts, betrothal and wedding rings. Victoria and Albert Museum

In stories, gifts could be imbued with magical powers. In the 13th century, in a history of the world, Rudolf von Ems recorded how Moses, when obliged to return home and leave his first wife Tharbis, an Ethiopian princess, had two rings made.

The one he gave her would cause Tharbis to forget him. He always wore its pair which kept her memory forever fresh in his mind.

Illustration from a World Chronicle of Moses giving Tharbis the Forgetting Ring, c1400-1410. J. Paul Getty Museum

Outside of stories, gifts could have legal significance: wedding rings, important from the 13th century, could prove that a marriage had occurred by evidencing the intention and consent of the giver and recipient.

The art of loving

Like Chaucer, 20th-century German psychologist Erich Fromm thought people could learn the art of loving. Fromm thought love was an act of giving not just material things, but one’s joy, interest, understanding, knowledge, humour and sadness.

While these gifts might take some time and practice, there are more straightforward ideas from history. Manufactured cards have dominated since the industrial revolution, taking their place alongside other now traditional presents such as flowers, jewellery, intimate apparel and consumables (now more often chocolates than fish). All can be personalised for that intimate touch.

A Valentine’s Day card from 1836. Bequeathed by Guy Tristram Little, Victoria and Albert Museum

There have, of course, been weirder examples of love gifts, such as Angelina Jolie and Billy Bob Thornton exchanging necklaces with silver pendants smeared with each other’s blood.

Artist Dora Maar was so upset when her notoriously bad lover Pablo Picasso complained about having to trade a painting for a ruby ring she immediately threw the ring in the Seine. Picasso soon replaced it with another, this one featuring Maar’s portrait.

A good love token can long outlast the feelings that prompt its giving: a flower pressed in a book, a trinket at the bottom of a box, a fading heartfelt card or a bittersweet song that jolts you back to an earlier time. In this way, the meaning of gifts can change as they become reminders that all things pass.

This article was originally published by the Conversation.

Podcasts about the history of Valentine’s Day:

Articles you may also like:

Brilliant and Flawed: The Enduring Legacy of Napoleon Bonaparte

The 200th anniversary of his death (1821-2021) renews discussion on how the former Emperor should be commemorated. By Michael Vecchio Military genius. Autocratic despot. Progressive visionary. Bloodthirsty war monger. The contrasting list of terms to describe the legacy of Napoleon Bonaparte indicate just how polarizing of a figure the former French Emperor was not only […]

Read More
AUSTRALIAN_FORCES_IN_LEBANON,_1941

Australia’s War with France

Reading time: 12 minutes
The Nahr al-Kalb, or ‘Dog River’, meets the Mediterranean Sea just north of Beirut, after meandering thirty kilometres downstream from its wellspring in the Lebanon range. A four-lane highway overpass runs along this stretch of coast, and tentacles of concrete obscure the river mouth. The strip of land to the north and south has been reclaimed from the sea. It’s a flat, featureless stretch of windblown sand and garbage. In ancient times, though, the view was very different. The steep riverbanks dropped straight into the ocean, and the Lycus, as the river was then known, was a significant obstacle to conquering armies.

Read More
Copyright Info

The text of this article is republished from The Conversation in accordance with their republishing policy and is licenced under a Creative Commons — Attribution/No derivatives license.